“My grandfather would reach up and unscrew jar after jar, placing small weights and various movements on the table and with specialized tools he would begin to put them together within the workings of the clock. I was amazed at how many of these little pieces fit so intricately together to create the simple movement of the hands and pendulum, all the while the space was filled with the rhythmic sounds of dozens of these clocks pendulums lobbing back and forth in synch with the ticking of the hands on each face. These vivid memories are intertwined in my work.
My raku ceramic sculpture is created from many pieces and each has a relationship to the other in order to complete the whole. Raku can be broken down into it’s own components; the elements, earth, fire, water, and air and each are considered for their function, like the parts of the clock, they must work together. In working with bare surface techniques combined with raku, I attempt to achieve an atmospheric quality, which is a balance of the reflection and absorption of light.”